All are welcome to come the the annual Open Day and open rehearsal to learn about the choir, listen, sing if you like and then join us for a free morning tea.
The Come Together Choir celebrates its 10th year in 2020. From humble beginnings as a Musica Viva Australia research project to today being a leader of community music and wellbeing in Orange, with over 100 participants. The Come Together Choir is one of the Orange Regional Conservatorium’s flagship ensembles and is directed by Samantha Bartholomeusz and Donna Riles.
Come Together meet weekly to sing for health and happiness with a focus on inclusion, diversity and accessibility.
Tuesday 18 February 10am – 12pm
Sing for health and happiness! Morning tea provided.
Orange Regional Conservatorium – 73a Hill Street Orange
Come along and sing the classics with us in a fun, totally judgement free environment under the guidance of the Orange Regional Conservatorium’s expert choir conductors Samantha Bartholomeusz and Donna Riles.
All you need to do is register you place and we’ll let you know which songs we are all singing leading up to the night.
So where does you $10 go? All money raised goes straight back into making the Choir CONobolas better by providing expert choir conductors, sourcing sheet music and more. Choir CONobolas is run as a Not-For-Profit under the OneMusic Community Music Group initiative.
2020 Chamber Music Series
Combining our love of education and performance.
In 2019, our annual Chamber Music Series tried something a little different. In the lead up to each concert the musicians visited local schools to demonstrate their instruments, perform selections of works and inspire young minds. After such a successful trial run we are pleased to offer this program again in 2020.
The professional musicians and teachers of the ORC are our greatest asset and invariably this series showcases just how talented and diverse they are. As always, there will be music from the greatest composers of all time, challenging modern works and original compositions.
Join us for these relaxed Friday evening concerts, the perfect way to wind down the week.
Concert 1 – Music for Seven Hands
Featuring works by Rossini, Doppler, Delibes and more, performed by Philip Rees, David Shaw, Alina Zborowski & Lujia Zhang.
Gioachino Rossini – Barber of Seville Overture
Franz Doppler – Duettino Hongrois
Léo Delibes – The Nightingale
Henryk Weiniawski – Romance, from Violin Concerto
Katy Abbott – Autumn Song
Charles Gounod – Funeral March of the Marionettes
Although it has been a difficult decision, we have decided to cancel the upcoming 5,6,7,8 concert in the interest of the safety of students, staff, audience and community members.
Although the event numbers would fall below current guidelines we consider a concert of this size to be an unacceptable risk at this time.
We will be offering refunds for all tickets. Through Eventbrite for online sales and the ORC office for tickets bought in person.
We can all name a song from West Side Story or The Sound of Music or Jesus Christ Superstar. Musicals have given us some of the greatest music of all time, now it’s time for us to celebrate the ‘music’ that makes the Musical .
Each year the students, choirs and ensembles of the Orange Regional Conservatorium join forces to present a themed concert. 2018’s ‘Beatlemania’ and last year’s ‘That 70’s Concert’ were huge, sellout events and this year ‘5,6,7,8!’ will be no different.
Lior & Tinalley String Quartet – CANCELLED
Through Nature to Eternity featuring Lior and Tinalley String Quartet.
Presented in association with Musica Viva Australia.
Doors open 6pm, performance begins at 6:30pm.
Singer/songwriter, Lior is renowned for his beautiful voice and lyrics that radiate truth and sincerity, and as the world searches for compassion and understanding, the importance of music as a means of communication cannot be undervalued. In this musical narrative of love, loss and compassion, Tinalley and Lior perform a new song cycle by Melbourne composer, Ade Vincent. Three of Dvorak’s rousing love songs from his collection of Cypresses; echoes of love cherished, tormented and forgotten, are paired with Barber’s haunting ‘Adagio’ from his String Quartet Opus 11 and Lior’s achingly haunting ‘My Grandfather’. In a final quest for peace, Lior and Nigel Westlake reimagine Sim Shalom (Grant Peace) from ‘Compassion’, merging the symphonic world with that of the string quartet.
Ravel’s effusive String Quartet opens the program. Critics and public alike rejected the quartet when it was first performed, and yet now it is one of the genres most beloved works. At times wistful and at other times melancholic, even devastating; the work is in itself a reminder of the changeable nature of public sentiment.
“A damn-near-perfect display of incisive and thoughtful music-making.” – Limelight Magazine
“Rhythm is the spine and it is this heartbeat pulsing through everything”–Adrian Medina “Gai Bryant is one of the brightest lights in the local jazz scene.”– Financial Review “Lee McIver can successfully cross genres and yet also manage to remain refreshingly original”– Barry O’Sullivan Jazz and Beyond
Through a lens both retrospective and current, Caribe’s ‘Havana Return, por favor’ shares recollections of a first-generation Cuban migrant returning home after many years in Australia. This striking and varied stage production with its steamy Caribbean rhythms will transport the audience straight to the heart of Cuba.
Cuban dancer Adrian Medina exudes elegance, exoticism and Cubanissimo against a backdrop of archival footage from 70s and 80s Cuba accompanied by an 8-piece band. The culmination of this blend of skills is a unique stage performance, making the show a memorable experience. As Master of Ceremonies, Medina keeps up a narrative between the musical numbers, filling in the historical background with juicy anecdotes and humour. This is followed by a set of social dancing.
The group sound stems from Gai Bryant’s compositions and arrangements which embody a knowledge of traditional Cuban styles integrated with years of jazz experience. The result is a maverick interpretation of traditional and classic styles that are performed with élan and spirit.
Beethoven’s 9th – CANCELLED
Hear another side of a masterwork you love when KIAZMA Piano Duo performs Beethoven’s Symphony No.9, ‘Ode to Joy’, transcribed for two pianos by Franz Liszt. Irrepressibly dramatic, inspirational and uplifting, the Symphony is hailed among the greatest achievements in western music. Be surprised and delighted by this most famous of works as it is reborn through Liszt. Aura Go & Tomoe Kawabata have chosen to partner with the Orange Regional Conservatorium to present this exclusive concert, which will be the only performance outside of Melbourne and with a massed choir. Celebrating 250 years of Beethoven, this unique and exclusive performance is not to be missed.
Da Vinci’s Apprentice – CANCELLED
Every Child Can Be An Inventor
Roberta, a talented girl living in 16th century Italy, dreams of becoming an apprentice to the greatest inventor of all, Leonardo da Vinci. Along the way, she meets a trio of musicians equipped with the weird and wonderful instruments of their time. With jazz-infused music by Australian composer Sally Greenaway and script by writers Catherine Prosser and Paul Bissett, Da Vinci’s Apprentice encourages students to hear the music in the world around them, and inspires them to make their dreams a reality.
FREE Family Concert | Time: TBC
PIANOforte – Live Stream
Friday 5 June 2020 6:30pm
Our annual Piano Faculty Concert, streamed live to you! Although there won’t be an audience joining us in person, we invite everyone to watch this free Facebook live event, we promise it will feel like you are there with us. Watch the staff and students of our keyboard faculty perform works by Johannes Brahms, Sergei Rachmaninoff, Percy Grainger and more.
Featuring David Shaw, Philip Rees, Lujia Zhang and Kate Rose joined by students Elizabeth Kwa and Greta Seymour. Plus a very special guest, retired ORC teacher and a living legend of the piano, Meriel Owen.
View Live Stream Here: https://www.facebook.com/orangecon/live/
More details to come.
More details to come.
More details to come.
Entering an AMEB Exam this year? Then make sure to maximise your results by signing up for one of David Shaw’s AMEB Exam workshops. There will be plenty of great performance advice, aural and sight-reading skills and general knowledge covered, no matter what instrument you play.
AMEB Exam Workshops
Monday 6 July
10am – 12pm ‘List A’ Performance Class (Prelim. – Grade 4)
1pm – 2pm Aural Skills (Prelim. – Grade 4)
2pm – 3pm Aural Skills (Grade 5 – Grade 8)
3pm – 4pm ‘List A’ Performance Class (Grade 5 – Cert Perf.)
Tuesday 7 July
10am – 12pm ‘List B’ Performance (Prelim. – Grade 4)
1pm – 2pm General Knowledge (Prelim. – Grade 4)
2pm – 3pm General Knowledge (Grade 5 – Grade 8)
3pm – 4pm ‘List B’ Performance Class (Grade 5 – Cert Perf.)
Wednesday 8 July
10am – 12pm ‘List C’ Performance Class (Prelim. – Grade 4)
1pm – 2pm Sight Reading (Prelim. – Grade 4)
2pm – 3pm Sight Reading (Grade 5 – Grade 8)
3pm – 4pm ‘List C/D’ Performance Class (Grade 5 – Cert Perf.)
‘List’ piece performance classes are an invaluable opportunity for AMEB students to rehearse and refine their exam pieces in a supportive environment with expert feedback from ORC Head of Piano David Shaw.
Aural skills, General Knowledge and Sight reading are the often-overlooked parts of an AMEB exam These classes provide expert and comprehensive tutoring in each of these areas, across all grade levels. A MUST for any every AMEB exam student
The Orange Regional Conservatorium is proud to present a day long workshop with Australian composer Alice Chance for music students and teachers, while here in Orange working with Acacia Quartet.
Alice Chance’s works are performed in concert halls (Sydney Opera House, The Kennedy Centre, City Recital Hall Angel Place) and cathedrals (St Mary’s Cathedral Sydney, Stanford Memorial Church California, Trinity Church Wall St New York City.) But her music is also sung in studios, paddocks and showers all around Australia. A finalist in the APRA Art Music Awards 2018 and 2019, and a member of Australia’s national Eurovision Jury in 2019, Alice works across genres and with all kinds of musicians. Alice was the Music Director and Vocal Arranger of the Mathilda Award-winning musical FANGIRLS, premiered by Queensland Theatre, and Belvoir.
Unfortunately due to the COVID-19 situation this event has been cancelled.
Australian Romantic & Classical Orchestra
Rachael Beesley, director
Anneke Scott, natural horn
Australian Romantic & Classical Orchestra is a world-class orchestra of leading Australian musicians who are dedicated to the performance of Classical and Romantic orchestral and chamber music repertoire in historically informed style on period instruments. The orchestra is thrilled to be performing for the first time in Orange and looks forward to sharing gorgeous program with you.
Tchaikovsky’s impressions of visiting Italy in the late 1800s were so profound that he composed one of the main themes of Souvenir de Florence while there. The Souvenir is a program of references and influences, and continues the Australian Romantic & Classical Orchestra’s cycle of showcasing world-class soloists performing Mozart Concerti. This year’s featured artist is a regular guest – natural horn specialist Anneke Scott from London. She performs Mozart’s Horn Concerto No.3, a work that transports the instrument from its hunting-horn past into the modern age. Ms Scott also takes the lead in the prominent horn part of Beethoven’s Sextet for winds. The Souvenir opens with one of Mozart’s outdoor entertainment works for strings and timpani – a lively and humorous work from the Classical period.
“A remarkable musician, authority and expert on a notoriously tricky instrument, Anneke never forgets that performing is about communicating enjoyment and having the courage of one’s convictions. Concerts with Anneke are always a musical adventure!” Andrew Manze, conductor
Mozart Serenade No. 6 in D major Serenata Notturna
Mozart Horn Concerto No.3 in E-flat major
Beethoven Sextet for winds in E-flat major Op. 71
Tchaikovsky Souvenir de Florence Op. 70
Sydney Symphony Fellowship Program
Each year, exceptional musicians between 18 and 30 years of age are selected through a national audition process to participate in the intensive, year-long program which sees them immersed in the world of the Sydney Symphony Orchestra.
Under the guidance of Sydney Symphony Orchestra Principal Viola and Fellowship Artistic Director Roger Benedict, the Fellows receive the training and experience they need to secure full-time positions in professional orchestras. Fellows participate in a program of professional performance engagements with the Sydney Symphony, chamber orchestra performances, masterclasses with visiting international artists, involvement in the Sydney Symphony’s Learning and Engagement programs and outreach projects.
Doors open 6pm, performance begins at 6:30pm.
This vivacious program finds them in their element: Percy Grainger’s delicious Walking Tune and Júlio Medaglia’s exuberant South American-flavoured suite bookend two classics of the genre in Taffanel’s G minor Quintet and Barber’s beautiful, evocative Summer Music.
Kiran Phatak, flute
David Reichelt, oboe
Lloyd van’t Hoff, clarinet
Rachel Shaw, horn
Matthew Kneale, bassoon
Musica Viva’s inaugural FutureMakers (2016/17), Arcadia Winds are making a great career for themselves. Since their ‘graduation’ from this innovative musical leadership program at the end of 2017, this superb group of musicians have released their eponymous debut EP, launched their own Australian composition prize, and are developing a unique online portal for Australian wind music.
“As Arcadia Winds took to the stage…I realised I was about to become part of something very special.” – CutCommon
“Captivating from the moment they took to the stage. Playing with great gusto and passion, these five uber talented musicians…stole the hearts of everyone in the crowd.” – The Adelaide Review